"Whatever Possessed the Plot," for 22nd Biennial Sesc_Videobrasil: Memory is an Editing Station

"The farmer is an artist, the artist is a gardener," for Xiyadie: Queer Cut Utopias, Drawing Papers 152

"Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect," with Alvin Li for Afterall Journal, Issue 53

"Channeling Energy! For Freedom Fighters," reprint in Journal Safar, Issue VII: Networks

"No Images of Myanmar after February 1, 2021," for Mousse Magazine

"Artists Campaign to Enter Dutch Parliament," roundtable with Ehsan Fardjadniya, Astrid Feringa, and Quinsy Gario for frieze

Note to future self for Best! Letters from Asian Americans in the arts, ed. Christopher K. Ho and Daisy Nam (Paper Monument)

"How to draw a spleen," witness report of Georgia Sagri: IASI, Stage of Recovery for De Appel

On Larry Achiampong and Mickalene Thomas, RELATIONS: Diaspora and Painting, ed. Cheryl Sim (PHI Foundation for Contemporary Art/ Hirmer Verlag GmbH)

On structures of support in conversation with Renee Mboya for Other Rooms digital publication for Rupert 

"Channeling Energy! For Freedom Fighters," for Real Review 

"A dream where we fly kites in water" with the work of Ka-Man Tse for Contact Sheet 207

"Based on a True Story: Todd Haynes's Dark Waters and New New Left Cinema," co-written with Emily Verla Bovino for Mousse Magazine

"Two Speakers Prepare a Prophecy/Preparation Park (The Whispers That Keep Us Up at Night)," co-written with Xiaoshi Vivian Vivian Qin for Issue 1: South of the South, Times Journal

"A Rehearsal for Freedom in Hong Kong," roundtable with Clara Cheung, Susi Law, and Ky Wong for frieze

"Many Undulating Things (Hong Kong Climate Control)," for Di'van: A Journal of Accounts, Issue 7 

"The Fight for Hong Kong Is Not Over," opinion for frieze

"A Lifetime Guaranteed: based on the works of Wong Kit Yi," feature for LEAP
必然发生的不朽—“魔杖,交接棒与基因剪切体”〉, LEAP 独家

"A Blue Cloth Robe for Ballroom Dancing," vignettes of Wang Ying for MICE Magazine

publications (ed.)

Whispers That Got Away (2018)
Fly Ruthless (2017)
Ruthless Lantern (2017)
A Glass House Should Hold No Terrors (2016)
Theoretically in the Gutter: A Manga Essay Collection (2016)


"Between Chan Sook Choi and a Hard Place," for Pushed Away and Leaking Out, Arts Council Korea / Artist Research-Study-Critique

"Clinical Cosmology: Tishan Hsu," for Mousse Magazine

Firenze Lai in Conversation, for Ocula

"Hao Jingban: Ballroom Dancing, or the Origin Story of Contemporary China," profile for frieze

"Who Really is Christopher K. Ho?," profile for frieze

Nilima Sheikh in Conversation, for Ocula

"The Miracle of Creation: Jes Fan and the Craft of Engineering Kinship," profile for frieze

"The Low Seas," on the work of Beatrice Glow for LEAP 艺术界


Review of Kathmandu Triennale 2077, for art-agenda

"The Revenge Fantasies of Su Hui-Yu's The Cinema of Séance," review for ArtAsiaPacific

"Not useful ideological tools" on Inside the Red Brick Wall, review for Esperanto

"Revital Cohen and Tuur Van Balen Ask How Value is Created," review for frieze

"Yoko Tawada's Unfinished Texts," review for Esperanto

"Sandra Mujinga’s Installations Suggests Ways of Seeing through Darkness," review for frieze

Review of Andrew Luk and Chu Teh-Chun, at de Sarthe Gallery for Artforum

Review of Lo Lai Lai , at Tomorrow Maybe for Artforum

Review of Xiao Lu, at 10 Chancery Lane for Artforum 

"Dark Clouds over Hong Kong: Luke Ching and South Ho," review for frieze

"A Night at Doreen Chan's Heartbreak Hotel," review for frieze

"Decolonization doesn't have a synonym," review of A beast, a god, and a line at Para Site for TAKE Fashion

"Crush at Para Site: What if you couldn't have it?," report for Ocula

"Tell Me When The Dust Settles: Review of Action ↔ Reaction," for AVA 7 of Academy of Visual Arts, Hong Kong Baptist University

"Art Jakarta: World spirit, Independence Day and Asian Games," report for Ocula

Review of Gritty Eye, a solo exhibition of work by Lai Lon Hin at Blindspot Gallery for ArtReview Asia

One on One of Chiara Vigo, The thread that sings (2017), for Spike Art Quarterly

"In Memory of a Free Public," report on the Harbour Arts Sculpture Park in Hong Kong for Ocula

Review of The Preservationists, an exhibition at Duddell's Hong Kong for frieze

Review of Everything Visible is Empty, an exhibition of Toshio Matsumoto at Empty Gallery for ArtAsiaPacific

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